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K-19: The Widowmaker is the Russian answer to Run Silent, Run Deep/Crimson Tide, except that it's about as Russian as Michael Apted’s Gorky Park – still, not bad company to be in at all. Like Gorky Park, which had two late greats in Will Hurt and Brian Dennehy, K-19 gravitates around two solid performers: Harrison Ford and Liam Neeson in the Clark Gable and Burt Lancaster/Gene Hackman and Denzel Washington roles from RS, RD and Crimson Tide, respectively (also like Gorky Park, there is no trace of Russian other than what can be read here and there; the fact that everyone here speaks the same language all the time, even if it’s that which would be anathema to them, allows us to suspend our disbelief and pretend they’re all speaking Russian to each other). Actually, there is a third, just as important, performance: the titular submarine emerges (and submerges) as a character in its own right; the problem is that it doesn’t do its own stunts. While it’s still in dock, it’s easy to believe in the boat’s reality and all that it entails; once it goes underwater, however, it also goes belly up. Like the Tom Hanks vehicle Greyhound from a couple of years ago, K-19 is at its best when the action stays in the vessel – and for a film where there are a lot of drills, this one is packed with tension and suspense. The ‘exterior’ shots, on the other hand, makes us long for the claustrophobia of the sub’s narrow walkways. The worst offender is the scene in which Ford orders a very dangerous maneuver (and that’s saying something, seeing how Neeson keeps “recommending” him that they remain “at safe depth”) that culminates in the K-19 bursting through the Arctic pack ice. This sequence reminded me, believe it or not, of The Silence of the Lambs; specifically, the part with the crosscutting (you know the one I mean). In that movie, parallel editing led us to believe that two separate events were closely related; in K-19, though, we have the opposite: two closely related events – the sub breaking trough the ice and the crew holding on for dear life – give the impression of occurring worlds apart from each other, because while the people come across as real human beings, the ice and the sub suffer from a pervading Saturday Morning Cartoon quality; i.e., they are shoddy as all hell. All things considered, this is nonetheless a minor yet not altogether unsuccessful incursion from director Kathryn Bigelow on the kind of usually testosterone-laden genre that even on an off day she does better than many a male filmmaker.
A rather clunky cold-war maritime thriller that manages to mix plausible science with shallow propaganda in a rather cack-handed fashion - and a (mis)casting that gives the film the same sinking feeling that the submarine must have felt when it first put to sea. It's a synch that the 2-kopeck systems aboard this state of the art Russian boat "K-19" are going to cause the maiden voyage to be riddled with dangers, and Captain Harrison Ford who blindly believes that nothing can possibly go wrong both before and after the boat sets sail leads to loads of crew resentment - not least from Executive Officer Liam Neeson - who all see him as a sort of "Captain Bligh" figure. Technically, the film does evoke a genuine sense of peril and claustrophobia, but the stars don't really have enough to work with beyond their very two-dimensional characterisations and the sight of John Shrapnel (whose son Lex also features) as a Soviet Admiral is verging on the risible. It has moments of pace, and jeopardy - but they are few and far between and more than nullified by the rather dodgy CGI and really pedestrian script.
A sacrificial passive woman spends her life breeding happiness into her family. What happens when her world of security cracks, shatters completely and her identity dissolves?
Dexter Cornell, an English Professor becomes embroiled in a series of murders involving people around him. Dexter has good reason to want to find the murderer but hasn't much time. He finds help and comfort from one of his student, Sydney Fuller.
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
Under the leadership of their counselor, teenagers at a juvenile detention center gain self-esteem by playing football together.
The radical true story behind three teenage surfers from Venice Beach, California, who took skateboarding to the extreme and changed the world of sports forever. Stacy Peralta, Tony Alva and Jay Adams are the Z-Boys, a bunch of nobodies until they create a new style of skateboarding that becomes a worldwide phenomenon. But when their hobby becomes a business, the success shreds their friendship.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.
The strong bond between two brothers is challenged when their chosen responsibilities sets them at odds, with extraordinary consequences.
Long time friends Louise, Nina and Alice celebrate their recent graduation with hectic partying, joined by their friend Kane who is the only friend not to attend university. Louise’s imminent departure for London adds to the underlying tension within the group, and as the boundaries between real and surreal blur, Louise devises an intervention to save their final days together. They embark on a road trip to regional Australia, and upon returning home face the reality of her departure. They are left, a group of suburban animals, on the threshold of their lives.
A teenage girl gets ready to go out to meet her boyfriend, despite her mother's loud verbal disapproval of her clothes. She goes out to a deserted area with him and he begins to touch her up and have sex with her, however a dog reveals the true nature of her boyfriend.
A cinematographic account of the reprisal ordered by the ruthless Austrian colonel Kappler in 1944 in Rome. In Via Rasella (Rasella Street) ten Italian civilians were sentenced to death for each German soldier killed in a partisan attempt.