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***The birth of skateboard culture*** In the mid-70s, the accomplishments of the innovative Zephyr skateboarding team of Venice, California, are dramatized based on events chronicled in skater Stacy Peralta’s documentary “Dogtown and Z-Boys” (2001). John Robinson plays Stacy, Emile Hirsch plays Jay and Victor Rasuk plays Tony (aka T.A.). Heath Ledger is on hand as Skip Zephyr while Rebecca De Mornay appears as one of the teens’ struggling mother. While I suppose “Lords of Dogtown” (2005) is a sports flick, it’s just as much a coming-of-age movie detailing growing-up on the bad side of Venice, aka Dogtown, the birthplace of America’s skateboard culture, which influenced the world. It reminded me of the dissolute environment depicted in “River’s Edge” (1986) with elements of Jim Morrison’s hedonistic misadventures from “The Doors” (1991), but combined with skateboard action, like skating in dry backyard pools and various competitions. It’s a good movie with slightly amped-up events (so what else is new?), but somewhat hampered by a curiously dismal air with occasional dialogues that don’t work. Maybe I found it slightly depressing because it reminded me of the glory & shame of my teen years. The 70’s soundtrack is great, however. The film runs 1 hour, 47 minutes and was shot in the Los Angeles area, including Venice Beach, Imperial Beach and Santa Monica. GRADE: B-
A sacrificial passive woman spends her life breeding happiness into her family. What happens when her world of security cracks, shatters completely and her identity dissolves?
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
Under the leadership of their counselor, teenagers at a juvenile detention center gain self-esteem by playing football together.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.
The strong bond between two brothers is challenged when their chosen responsibilities sets them at odds, with extraordinary consequences.
Long time friends Louise, Nina and Alice celebrate their recent graduation with hectic partying, joined by their friend Kane who is the only friend not to attend university. Louise’s imminent departure for London adds to the underlying tension within the group, and as the boundaries between real and surreal blur, Louise devises an intervention to save their final days together. They embark on a road trip to regional Australia, and upon returning home face the reality of her departure. They are left, a group of suburban animals, on the threshold of their lives.
A teenage girl gets ready to go out to meet her boyfriend, despite her mother's loud verbal disapproval of her clothes. She goes out to a deserted area with him and he begins to touch her up and have sex with her, however a dog reveals the true nature of her boyfriend.
A cinematographic account of the reprisal ordered by the ruthless Austrian colonel Kappler in 1944 in Rome. In Via Rasella (Rasella Street) ten Italian civilians were sentenced to death for each German soldier killed in a partisan attempt.
Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.
The uneventful lives of three young men who live in a small, poverty-stricken village in southern Italy.