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***Hope for the broken via a quirky, forsaken race horse*** During the Depression, an undersized, “lazy” horse named Seabiscuit becomes a champion, lifting the spirits of both its team and that of the nation. Jeff Bridges plays the owner, Tobey Maguire the jockey and Chris Cooper the trainer. Valerie Mahaffey is on hand as the owner’s wife. Based on the real story, “Seabiscuit” (2003) is reminiscent in tone of another timeless historical drama starring Bridges, “Tucker: The Man and His Dream” (1988) by Francis Ford Coppola. I prefer the underrated “Tucker” because it’s snappier and less vague, but “Seabiscuit” ain’t no slouch. Like the historically-based “Jeremiah Johnson” (1972) the manner of storytelling respects the intelligence of the viewer to sometimes read between the lines. One of the best parts is the build-up to the race with War Admiral and the thrilling race itself. Not knowing the real-life events, a couple of the twists were surprising. The first act, however, seems bogged down by extraneous details about the owner. The film runs 2 hour, 19 minutes and was shot in California, New York and Kentucky. GRADE: B
It wears its sentimental heart firmly on its fetlock. As the depression era kicks in, Americans were grasping for any sort of inspiration they could get, enter equine supreme, Seabiscuit. Considered broken down, too small and untrainable, Seabiscuit went on to become a bastion of great racehorses and in the process bringing solace to those closest to it. Back in 2003 upon its initial release, critics were very divided as to the merits of Seabiscuit as a picture. Some were concerned that this adaptation from Laura Hillenbrand's highly thought of novel missed too many crucial elements, others were merely touting the tired old charge of the film purely baiting Oscar (something that is levelled at every film in history about hope and second chances), the more astute critics of the time however lauded it as the delightful and inspiring piece that it is. It would be churlish of me to not agree that Seabiscuit is laced with sentiment, rookie director Gary Ross barely wastes a chance to tug the heart strings and paint an evocative sequence, but if you have got it in you to accept this true story for its base emotional point, then it is one hell of a wonderful experience. Seabiscuit is not just about the equine beauty of the picture, it's also a fusion of three men's personal wavering, who for one reason or another need the horse for far more important crutches than those provided by financial gain, make no bones about it, Seabiscuit is a very human drama. Knowing how the picture will end never once becomes a problem, because the historical accuracy in the story makes one yearn for that grandiose ending, one to gladden the heart in the way it must have done to thousands upon thousands of Americans back in the depression era day. Ross wisely chooses to filter in as much realism as he possibly can, archive stills and narration serve as exceptional points of worth to the narrative structure. Then there is the first rate cast to fully form the emotional complexities that Seabiscuit provides. Jeff Bridges, Tobey Maguire (waif like), Chris Cooper, Elizabeth Banks, top American jockey Gary Stevens and a splendidly jaunty William H Macy, all can rightly feel proud of their respective work on this picture. Yet it's with the thundering race sequences that Seabiscuit really triumphs best, magnificent beasts hurtling around the race track are excellently handled by Ross and his cinematographer, John Schwartzman, whilst a nod of approval must go to the sound department's efforts, for this is definitely one to give your sub-woofer a work out. Seabiscuit was nominated for seven Academy Awards, winning none, perhaps the Academy also felt like those critics who thought it was trying too hard for a Golden Statue? But now after the dust has settled some years later, it pays to revisit Seabiscuit and judge it on its own emotional terms, for it's a tremendously well crafted picture that is of course as inspirational as it most assuredly is tender, a fine fine picture indeed. 9/10
Through a series of flashbacks, four Chinese women born in America and their respective mothers born in feudal China explore their pasts.
A troubled woman seeks out the child she gave up for adoption; a gay motel owner takes in a handsome drifter; and the wife of a preacher frets that a gay couple has moved in across the street. All of their lives will intersect as Loggerheads subtly draws out their secret losses and desires.
Quiet, withdrawn 13-year-old Rynn Jacobs lives peacefully in her home in a New England beach town. Whenever the prying landlady inquires after Rynn's father, she politely claims that he's in the city on business. But when the landlady's creepy and increasingly persistent son, Frank, won't leave Rynn alone, she teams up with kindly neighbor boy Mario to maintain the dark family secret that she's been keeping to herself.
Gino Monetti is a ruthless Italian-American banker who is engaged in a number of criminal activities. Three of his four grown sons refuse to help their father stay out of prison after he's arrested for his questionable business practices. Three of the sons take over the business but kick their father out. Max, a lawyer, is the only son that stays loyal to his father.
Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.
Set between the two World Wars and based on true historical events, Bitter Harvest conveys the untold story of the Holodomor, the genocidal famine engineered by the tyrant Joseph Stalin. The film displays a powerful tale of love, honour, rebellion and survival at a time when Ukraine was forced to adjust to the horrifying territorial ambitions of the burgeoning Soviet Union.
In Vienna, during the 1848 Revolution, opera singer Antonia Corvelli marries Detlev von Blossin, a rich landowner. But, as she refuses to give up her career, her infuriated husband returns to Pomerania without her. After falling into the clutches of the cruel and wicked count Stefan Oginski, whose lover she unfortunately becomes, Antonia has no other choice but to pass for dead in order to escape him. She then returns to Italy where she joins small theater companies under various aliases. Until one day she is overtaken by her fate...
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.