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At first I was like "Hah, this is some kind of Sherlock Holmes but a priest thing!", and then I was like "Oh, this **is** some kind of Sherlock Holmes but a priest thing!" _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Bookish or Boorish? The Name of the Rose is directed by Jean-Jacques Annaud and based on the novel of the same name written by Umberto Eco. It stars Sean Connery, Christian Slater, F. Murray Abraham, Helmut Qualtinger, Elya Baskin & Michael Lonsdale. Music is scored by James Horner and cinematography by Tonino Delli Colli. Sean does Sherlock the Monk. It's one of those film's that I just can't get into, three times I have tried but it's now consigned to the recycle bin, never to be unearthed again. I see there is great artistry there, it's very literate and the mystery element is strong, but it saps my strength to the very last. Connery is miscast because he plays it as nudge nudge wink wink detective fare, and film strains too hard to be some intellectual medieval musing on inquisitional power, berserker religion and the search for truth. Now I like gloomy moods, especially when part of some Gothic architecture, but even with the delightful weirdness of this monastery and the even weirder haircuts, I find it hard to sit still, such is the haphazard directing of the plot. In all honesty, the makers really would have been better off just making another Sherlock Holmes movie and setting it in a monastery. Now that would be fun... This wants to be a paean to Arthur Conan Doyle, a brain teaser and an observation on some tricky subjects, but the mix doesn't work, sadly, for me anyway. Because I don't like it doesn't mean it's a bad film, clearly it is loved by many and has things of value to a discerning viewer. But to me, no, leaves me cold and frustrated. 5/10
**_Murder mystery at a gloomy abbey during the Dark Ages with Sean Connery_** In 1327, a Franciscan monk and his pupil (Connery and Christian Slater) arrive at a monastery in northern Italy to attend an important theological Roman Church conference. When monks are found dead in mysterious ways, William (Connery) winds up being the Medieval version of Sherlock Holmes. While he seems to figure the mystery out due to the evidence, a mirthless inquisitor is called in and sees things differently (F. Murray Abraham). Ron Perlman plays a hunchback and Michael Lonsdale the Abbot. Based on Umberto Eco’s 1980 book, “The Name of the Rose” (1986) is outstanding as far as locations, sets, costumes and make-up go. Anyone interested in a shadowy drama with the dreary Gothic ambiance of the Middle Ages, this is the film to see. It’s helped by Connery’s towering performance, marked by his nonchalant confidence. Slater is also excellent as the inquisitive novice. Meanwhile Valentina Vargas as the feral peasant girl is yet another highlight (there’s some nudity, just a heads up). The murder mystery is decent enough and there are interesting theological debates, but this is mostly a commentary on the good, the bad and the ugly of Medieval Catholicism. Remember, there was good reason for the Protestant Reformation that started less than 200 years later. I advise using the subtitles, as this is a dialogue-driven piece filled with mumbled Latin words and unusual names; it will help you understand the convoluted goings-on. Speaking of which, the film seems weighed down and needed a rewrite to make the story more compelling. Yet it’s still well worth checking out for those interested and it influenced many movies, like “Robin Hood, Prince of Thieves” (1991). Fans of "Black Death" (2010) should appreciate it, although it’s not on that level of greatness; the contemporaneous “Season of the Witch” too. Those films, however, are more conventionally entertaining. This one’s more along the weighty lines of “The Bridge of San Luis Rey" (2004), which most people hated, but I appreciated. The flick runs 2 hours, 11 minutes, and was shot at a replica of the monastery on a hilltop outside Rome (exteriors and some interiors) while most interiors were done at Eberbach Abbey, Germany, over 700 miles to the north; the mountain scenes were shot nearby in Taunus Mountains, Hessen, Germany. GRADE: B-
Recently I saw a restored version of "The Black Pirate" - made in 1926 and that was in far better condition that the print I saw of this 1986 iteration of the cracking Umberto Eco novel. Set amidst the fear that beset the Christian world during the Holy Inquisition, we find ourselves at a remote abbey run by Michael Lonsdale. There is to be a gathering to facilitate a theological debate between the Franciscans and the Vatican. To that end, "William of Baskerville" (Sean Connery) and his novice "Adso" (Christian Slater) have travelled to this rather bleak location. Their arrival is tainted with sadness and mystery, though: a young monk has mysteriously died. "Baskerville" asks permission to look into it and is soon inveigled in a complex investigation that is proving distinctly perilous for almost all at this abbey. What is the secret? Can they deduce that before the arrival of the dreaded "Bernardo Gui" (F. Murray Abraham), the powerful instrument of the church who thinks nothing of burnings at the stake? This is a great story of medieval intrigue that is well enhanced here by a strong supporting cast - notably an almost unrecognisable Ron Perlman as "Salvatore"; Feodor Chaliapin Jr. is really quite intimidating as the Venerable "Jorge" and Michael Habeck's "Brother Berengar" has something creepy and distinctly un-Christian about him. As the story progresses we realise that this is actually a story about not just fear of the Inquisitors - but of the very power of the written word. Of the power of education and enlightenment - and the lengths some will go to keep the poor - potently exemplified here by Valentina Vargas - in their place. The cinematography of this dark, cold and unforgiving place adds richness and a malevolence to this film that really does resonates an effective eeriness - an evil, almost. Connery and Slater? Well perhaps not my first choice here - but they are not terrible and the former does bring a little gravitas to the role that just about works. Given all the dross that's getting 4K upgrades these days, surely this one has to merit a bit of TLC.
This comical love story follows the story of A.J. Fikry, whose life is not at all what he expected it to be. His wife has died, his bookstore is experiencing the worst sales in its history and now his prized possession, a rare edition of Poe poems, has been stolen. He’s given up on people and even the books in his store offer another reminder that the world is changing too rapidly. But when a mysterious package arrives at the store, it gives Fikry the chance to make his life over and see things anew.
In 16th century Rome, Rampín, a friendly and shameless rogue, exploits his arts of deception. He lives with his aunt, Napolitana, a pimp dedicated to the same trades as his nephew. With the arrival of a beautiful Andalusian, Lozana, her fortune enters their house by making her the most beautiful courtesan in Rome. Lozana and Rampín reach an agreement: he will be at her service, taking her lovers home, and she will treat him like a king and give him the best, something that others will never have. But one fine day, Don Sancho, a handsome Spaniard, falls in love with her.
Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.
In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.
The true story of Elle France editor Jean-Dominique Bauby, who, in 1995 at the age of 43, suffered a stroke that paralyzed his entire body, except his left eye. Using that eye to blink out his memoir, Bauby eloquently described the aspects of his interior world, from the psychological torment of being trapped inside his body to his imagined stories from lands he'd only visited in his mind.
Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.
Chappy discovers a drug-smuggling scheme at his own air base. It turns out that the lives of some village people in Peru are at stake, and he decides to fly there with ancient airplanes and friends to free them.
After the harrowing death of his partner, detective/psychologist and best-selling author Alex Cross cannot forgive himself and has retreated to the peace of retirement. But when a brilliant criminal kidnaps a senator's young daughter, he is lured back into action as the kidnapper wants to deal with Alex personally. Teamed with Jezzie Flanigan, the Secret Service agent assigned to protect the missing girl, Alex follows a serpentine trail of clues that leads him to a stunning discovery - the kidnapper wants more than just ransom.
Clairvoyant femme fatale, Nicola Six has been living with a dark premonition of her impending death by murder. She begins a tangled love affair with three uniquely different men — one of whom she knows will be her murderer.
When a barmaid and part-time model becomes a murderer's third victim in Chelsea, the only apparent links are to a local reporter, Mary, and three art graduates financing a film with local part-time jobs.