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Whos Talking to Chris Wallace? - (Jun 1st)
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Come Dine with Me- The Professionals - (Jun 1st)
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**Knight of Craps = Shift + delete** As for me, this director is done. His last best film was 'The New World'. I don't know why someone keeps financing him. It is neither an art and message film, nor has any entertainment value. In one word, total-crap. All the above, these actors agreeing to do the roles. Definitely this director's films have received more boos at Cannes than any others. Not fit for film festivals, as well as theatrical releases. The surprise part was, I saw it. Even after I felt a similar way for his previous film. There's no story. Just a random acts. Even documentary films have a better narrative. Remember a film was being made by Willem Dafoe in the film 'Mr. Bean's Holiday', this is exactly the same film. Except there's no Mr. Bean/Atkinson here to make it a cheerful additional editing. It was like the director woke up in the morning and decided to do what he felt to shoot without a script. I dislike whispering background narration. It is like a lullaby, one might fall into sleep. Not just asleep, but a deep sleep. Direct dialogues between the characters are like an oasis in this film. If you have nothing to do and ready for a slow film, you should not consider it then too, because it is not a film, but a two hour long torture. Easily skippable film. _1.5/10_
How is it that Christian Bale always manages to get himself the parts where he just wanders around the place getting laid? He's a successful writer who feels his hollow life needs a bit of a lift. When his brother takes his own life (perhaps he'd read the script?), and with his other one in a bit of a mess of his own making, "Rick" concludes that he needs to find something more substantial in his life than drifting along finding casual sex when/where he can. What now ensues, loosely based on a Tarot suite, takes us on a tour of Los Angeles and Las Vegas as his plays out his peccadilloes with a selection of women - including Cate Blanchett and Natalie Portman. Will he find happiness? Contentment even? Who cares? I'm afraid I didn't. To be fair, Terrence Malick has spent some time on the aesthetic here - the film looks good, but if you are going to centre a film on a character like "Rick", then you have to hope that he engages with those watching. He didn't and I didn't. The story just plodded along going nowhere fast, introducing us to characters with next to no depth or charisma and though I'm usually a fan of sparing dialogue, the absence of anything meaningful really did detract from what was clearly an underlying philosophy tied into an ancient Eastern myth and meant to illustrate the risks of never settling for what you have - even if you know what you're looking for. Brian Dennehy adds very little as his father and I felt the whole thing looked like it was more of a rehearsal, or an home video, than a finessed product. I didn't hate it, it has it's moments, but I wouldn't watch it again, nor could I really recommend it either.
Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.
Two criminal drifters without sympathy get more than they bargained for after kidnapping and holding for ransom the surrogate mother of a powerful and shady man.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man. Their lives are catapulted into unforeseen situations instigated by the seemingly inconsequential destiny of a dog.
Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. She has 20 minutes to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
Fast Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary Minnesota Fats to a high-stakes match.