A film set in the Basque region, beginning in the Carlist war of 1875 and ending during the Spanish Civil war of 1936. The film portrays how one single act of cowardice shapes the life of the next three generations of two families and fuels the intense rivalry which will span the next sixty-one years.
Movie Star Rating : 6.3 Read More
In a badly-overpopulated future, where each couple is only allowed one child and where people over 65 are forbidden medical care under a very draconian set of laws, a young couple, pregnant with their second child (the first died shortly after birth) enlist the help of an elderly former US Senator to help them escape to Canada.
Movie Star Rating : 6.5 Read More
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a spacecraft. Intrigued by their intelligence, humans use them for research - until the apes attempt to escape.
Movie Star Rating : 6.3 Read More
In a futuristic world that has embraced ape slavery, a chimpanzee named Caesar resurfaces after almost twenty years of hiding from the authorities, and prepares for a revolt against humanity.
Movie Star Rating : 6.2 Read More
The fifth and final episode in the Planet of the Apes series. After the collapse of human civilization, a community of intelligent apes led by Caesar lives in harmony with a group of humans. Gorilla General Aldo tries to cause an ape civil war and a community of human mutants who live beneath a destroyed city try to conquer those whom they perceive as enemies. All leading to the finale.
Movie Star Rating : 5.7 Read More
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…
Movie Star Rating : 7.1 Read More
Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.
Movie Star Rating : 6.9 Read More
Yuri Orlov is a globetrotting arms dealer and, through some of the deadliest war zones, he struggles to stay one step ahead of a relentless Interpol agent, his business rivals and even some of his customers who include many of the world's most notorious dictators. Finally, he must also face his own conscience.
Movie Star Rating : 7.3 Read More
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
Movie Star Rating : 7.2 Read More
As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family's accustomed level of comfort and political clout.
Movie Star Rating : 7.7 Read More
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
Movie Star Rating : 7 Read More
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/civil-war-review-a-thought-provoking-dive-into-war-journalism-and-moral-complexity/ "Civil War attests to Alex Garland’s fascinating ability to create impactful narratives that provoke deep discussions, beyond his unwavering commitment to the themes and characters at hand, without falling into preachy stances. A film that transcends political boundaries, focusing on war journalism, the moral dilemmas faced by those who risk their lives to tell stories that cannot be ignored, and the personal transformation necessary to carry out such an inhuman task. The character complexity and the chilling intensity of the cinematography and sound production contribute to a powerfully engaging, repeatedly shocking audiovisual experience. It’s a tribute to a profession often forgotten, but equally a challenge for viewers to reflect on critical issues in contemporary society." Rating: A-
Terrific movie! 'Civil War' is a blast from beginning to end, I enjoyed everything about it to be honest. It features an interesting story that is told with excellence. My biggest takeaway is the sound design, which is outstanding; literally from the first seconds post-BBFC black card. It is paced absolutely spot on, the end comes around so quick; probably because I was hooked. The cast do great jobs. Obvious credit to Kirsten Dunst, Wagner Moura and Stephen McKinley Henderson, they are all ace. Cailee Spaeny is my personal standout though, what an excellent showing from her! Engrossing viewing. Highly recommended. Very much want to rewatch it already.
Nope, sorry, this just didn't work for me. It appears that there is a civil war amongst these United States. California and Texas have seceded from the Union and Florida seems to be having a wobble too. The President (Nick Offerman) makes a speech assuring the rest of his country that they've nothing to worry about, but hardened photo-journalist "Lee" (Kirsten Dunst) and her cohort "Joel" (Wagner Moura) reckon that the conflict is quite likely to come to an altogether different conclusion. They bravely decide to travel the 800-odd miles to Washington DC to try and interview him. Their out-of-shape veteran associate "Sammy" (Stephen McKinley Henderson) thinks they are mad, but also wants in on the trip. Meantime, the enthusiastic young photographer "Jessie" (Cailee Spaeny) has managed to hook up with the team and so, rather implausibly, they agree to take her on this perilous journey. It's that implausibility that carries the whole thing as the completely preposterous scenario unfolds before us. No effort is made to fill us in on the cause of this warfare. Did the President seize power? Was he elected from a party these states didn't vote for? Are they just brutal and well armed revolutionaries? Then we have the ridiculous dialogue - usually from Henderson with his "always take fuel when you can" or "this way only leads to death" type profundities as the group travel through a remarkably stable, well fuelled and provisioned, nation where there's hardly the merest hint of mass migrations, fear or terror. Indeed, their blue "Press" helmets and a little bit of kevlar seem to render them immune to the deadly drama that they are supposed to be experiencing. Jesse Plemons makes a brief appearance - that actually leads to the only vaguely exciting part of this chronology, but otherwise it's all a bit on a non-event. Dunst starts off as a strong and characterful woman but that dwindles away and, well, I was just a bit bored as the denouement hoved into view with all the predicability of the sun coming up. It's bitty, episodic, unrealistic and populated with characters in whom I simply could not believe. Sure, maybe it's supposed to be outlandishly apocalyptic, but it reminded me for the most part of an episode of "Falling Skies" - only without the aliens. Perhaps it might resonate better with an American audience? I'm not one of them and this didn't.
Cautionary tales often have some of the most significant impact when brought to life on the big screen, and that’s certainly the case with the latest offering from writer-director Alex Garland. The filmmaker’s gripping tale of a quartet of journalists (Kirsten Dunst, Wagner Moura, Stephen McKinley Henderson, Cailee Spaeny) covering a civil war in a dystopian version of America of the near future follows the reporters as they make their way from New York to Washington via a circuitous route that shows them all sides of this nightmarish scenario. Essentially a road trip film, “Civil War” provides the principals and viewers with an array of images and situations graphically depicting what’s left of the US as a distraught population attempts to make sense of the circumstances and find ways to survive. The purpose of the protagonists’ journey is to secure an interview (likely the last one) with a corrupt, egomaniacal President (Nick Offerman) as rebel forces close in on the capital. They set out on this treacherous odyssey despite the dangers involved both in making the trip and in their roles as journalists, who are looked on with suspicion and have been accused of fanning the flames of the hostilities. While some have complained that the film doesn’t provide enough social and political background about the conflict, I submit that this consideration is fundamentally unnecessary: Garland is making an unadulterated statement here that, when the bullets start flying, ideology won’t matter and no one will care, a point driven home with chilling clarity over and over. The madness that consumes the population is all that’s important at that juncture, one driven by bald-faced hostility on steroids both among the combatants and the overzealousness of the reporters in seeking to “get the story,” no matter what. In achieving this end, the filmmaker holds nothing back, making this an often-difficult watch, one definitely not for the squeamish or faint of heart. But the picture’s message is one of grave importance, especially in today’s trying, polarized climate. We’d be wise to pay attention to what’s being said in this important work, handily the best – and most troubling – release of 2024 thus far.
The film, although set in a context of armed conflict, deviates from the traditional war theme to focus on war photojournalists, promoting a perspective on the work of such professionals. Through a series of small scenes, the director seeks to compose a portrait of these professionals' actions on the battlefield without declaring the reasons for the war or identifying the sides involved. Each scene, individually, is well-executed, standing out for the quality of cinematography and an immersive sound work that amplifies the tension. However, these scenes, although effective individually, fail to come together cohesively. The result is a film that seems less than the sum of its parts. The main problem with the film is a lack of depth. Although technically well-produced, particularly in terms of audio, the film falls short of a deeper approach, which could have elevated it from a mere display of impactful scenes to a truly impactful work.
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