Paradox Effect 2023 - Movies (Jun 1st)
Cinderellas Revenge 2024 - Movies (Jun 1st)
Wicked Little Letters 2023 - Movies (May 31st)
The Zone of Interest 2023 - Movies (May 31st)
Alien Invasion 2023 - Movies (Jun 1st)
Darkness of Man 2024 - Movies (Jun 1st)
Ezra 2023 - Movies (Jun 1st)
Maybe Its You 2023 - Movies (Jun 1st)
Binary Samurai 2023 - Movies (May 31st)
Revenge of the Empire of the Apes 2023 - Movies (May 31st)
Zombie Chronicles Infection Zone 2023 - Movies (May 31st)
A Knife in the Dark 2024 - Movies (May 31st)
Poolman 2023 - Movies (May 31st)
No Way Up 2024 - Movies (May 31st)
A Part of You 2024 - Movies (May 31st)
Gasoline Rainbow 2023 - Movies (May 31st)
Jim Henson Idea Man 2024 - Movies (May 31st)
Hate to Love Nickelback 2023 - Movies (May 31st)
The Wonderful Story of Henry Sugar and Three More 2024 - Movies (May 30th)
The Wrath of Becky 2023 - Movies (May 30th)
Die Hart Die Harter 2024 - Movies (May 30th)
Casualty - (Jun 1st)
MotoGP Unlimited - (Jun 1st)
The Last American Vagabond - (Jun 1st)
RV There Yet? - (Jun 1st)
The Kitchen - (Jun 1st)
Tiger - (Jun 1st)
Dont Hate the Player - (Jun 1st)
WWE SmackDown - (Jun 1st)
Police 24/7 - (Jun 1st)
James Martins Saturday Morning - (Jun 1st)
Doctor Who- Unleashed - (Jun 1st)
The 11th Hour with Stephanie Ruhle - (Jun 1st)
The Never Ever Mets - (Jun 1st)
Have I Got a Bit More News for You - (Jun 1st)
The Nevermets - (Jun 1st)
Katie Pipers Breakfast Show - (Jun 1st)
The Last Days of Ptolemy Grey - (Jun 1st)
20/20 - (Jun 1st)
Cesar Millan- Better Human, Better Dog - (Jun 1st)
Crime Beat - (Jun 1st)
**An interesting film, with qualities, but it could be much better.** I think that, at this point, anyone who reasonably knows cinema already knows that Danny Boyle's films are not for all audiences. Perhaps “Slumdog Millionaire” is his most commercial film, capable of reaching more easily the general public, but we only need to think about “Trainspotting” to get an idea of how raw and intense he can be as a filmmaker. He seems to enjoy it, and there's no denying that there's a niche audience for these films. The script takes us to Edinburgh, to the apartment where three young friends live. As often happens among impoverished youth, they divide the rent between them so that they can remain there, and they are looking for a fourth companion because there is still space for another roommate. However, after about a week, the guy they have chosen is found dead next to a huge suitcase full of money. And they are left in a dilemma: should they call the police and tell them everything? After all, they didn't kill him! Or would it be better to hide the body somewhere and keep the money? They really need it… is it worth it? As you can see, the film explores the themes of greed and pettiness, friendship and the way in which something can transform the way people relate, putting an end to friendships and leading to brutal paranoia that feeds on the unconfessable fears of each one. There's something that reminds me of Alfred Hitchcock here. I believe this would be enough for the film to be interesting, but Boyle added a subplot where a group of criminals knows about the money and are looking for it, leaving a trail of bodies wherever they go. The film didn't need this, and it would have been better to invest in the central plot. The biggest problem with this film is that it is not beautiful nor does it have likable characters. On the contrary! They are petty, cynical, unsympathetic and their friendship seems artificial, forced by circumstances. However, this is exactly what the film could explore to the limit. It tries to do so, the tension gradually increases as this happens, but the sub-plot I mentioned introduces itself blatantly and ruins things a bit. In the cast, Chris Eccleston and Ewan McGregor stand out with inspired and slightly insane performances. Their characters called for this expansiveness and both knew how to rise to the challenge, although they sometimes exaggerated. Kerry Fox is not that good and just exaggerates. Boyle has style, but he is not a director skilled at guiding his cast. In addition, we have Keith Allen, who has very little to do, and Ken Stott, relegated to a secondary position and of no great interest to the plot. Technically, the film has frankly positive notes: the set is very well-thought-out, with the production looking for every means to cope with the Franciscan poverty of its budget. The cinematography is good, but not enchanting, and the camera work has its moments of creative inspiration, with original perspectives and some unusual framings. The fast pace reasonably covers up the weaknesses, making the film more fun and palatable. The ending is an effort, but the twist was predictable.
Three flatmates are having some fun recruiting a fourth to share their spacious Glasgow apartment. "Juliet" (Kerry Fox) is a doctor; "Alex" (Ewan McGregor) is a tabloid journalist and finally "David" (Christopher Eccleston) is an accountant. Despite their differences this trio quite effectively rub along together. It's the doc who first meets the enigmatic "Hugo" (Keith Allen) who convinces the gang - thanks largely to his large wad of cash - that he is their perfect fit. He disappears into his room and after a few days of radio silence, they have to break down the door for a vision of him dead on a bed with a suitcase full of loot underneath it! Should they call the police or should they do a bit of DIY body disposal and keep it all? That's the premiss as they take the latter route and find themselves amidst a series of increasingly perilous scenarios that will change them and their relationship for ever. Yes, it's totally far-fetched but the characters work well together as the simplicity of their ideal becomes compromised in a sea of mistrust, greed and kitchen knives. It's the understated Miller who steals this for me, and there's a fun contribution from Colin McCredie as their would be sharer "Cameron" and Ken Stott's policeman "McCall" who has a pretty quirky approach to policing. There are a few plot holes but they don't really matter as this amiably comedic assessment of human nature races along entertainingly for ninety minutes.
Quiet, withdrawn 13-year-old Rynn Jacobs lives peacefully in her home in a New England beach town. Whenever the prying landlady inquires after Rynn's father, she politely claims that he's in the city on business. But when the landlady's creepy and increasingly persistent son, Frank, won't leave Rynn alone, she teams up with kindly neighbor boy Mario to maintain the dark family secret that she's been keeping to herself.
A law student takes a job as a night watchman at a morgue and begins to discover clues that implicate him as the suspect in a series of murders.
A tale about a happily married couple who would like to have children. Tracy teaches infants, Andy's a college professor. Things are never the same after she is taken to hospital and operated upon by Jed, a "know all" doctor.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
May Munro is a woman obsessed with getting revenge on the people who murdered her parents when she was still a girl. She hires Ray Quick, a retired explosives expert to kill her parent's killers. When Ned Trent, embittered ex-partner of Quick's is assigned to protect one of Quick's potential victims, a deadly game of cat and mouse ensues.
A girl who halfheartedly tries to be part of the "in crowd" of her school meets a rebel who teaches her a more devious way to play social politics: by killing the popular kids.
An insurance investigator begins discovering that the impact a horror writer's books have on his fans is more than inspirational.
In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.
After escaping from prison, Joe and Terry go on a crime spree, robbing banks through Oregon and California in order to finance their scheme for a new life south of the border. Unfortunately, things get more complicated when they meet Kate, who runs into them with her car. She joins the bandits on their cross-country spree, and eventually she steals something, too: their hearts.