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FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-book-of-clarence-bfi-london-film-festival-review-hilarious-thought-provoking-biblical-satire/ "The Book of Clarence certifies Jeymes Samuel as a do-it-all in filmmaking. Whether through his stylized direction, thought-provoking satirical screenplay, or bold soundtrack, the filmmaker once again delivers a highly original, genuinely hilarious blend of genres and tones, and a captivating spiritual exploration of the protagonist. Fortunate as well to have an absolutely superb cast with LaKeith Stanfield commanding the troops, delivering an impressively all-round performance. It lacks better tonal balance and more unpredictability, the latter being destroyed by an unnecessary opening sequence. Glad to know it will be released on the big screen, which is where I definitely recommend everyone to go and experience this piece of guaranteed entertainment." Rating: B+
If you watched and know the style of Jeymes Samuel as writer and director you know what to expect (The Harder they Fall, They Die by Down). It tells the story of a man that is a con artist that aims to be a new Messiah, in the age of Jesus (and alongside him - 3 days behind), but not a classical Jesus or a new correct etiology one, but one in a black Jerusalem. It have some interesting messages more to end, shows Romans as the whites, and do not mention proper Jews - it also doesn't choose to what it aims as a movie, comedy or drama putting some comic sequences and references of Marijuana (that was used already in that time, a certain thing, accidental or not). LaKeith Stanfield is the star of the movie and does well his role and multiplicity of his character. But this isn't enough to make this a good movie. To me a score of 6.0 out of 10.0 / B-, almost C+.
"Clarence" (LaKeith Stanfield) and brother "Elijah" (RJ Cyler) come off worst in a chariot race with Mary Magdalene (Teyana Taylor) and that lets us know that he is now in hock to the nasty "Jedediah the Terrible" (Eric Kofi Abrefa) for a great deal of money. It quite literally is his money or his life. He has a relationship, of sorts, with "Varinia" who might be able to intercede with her menacing brother on his behalf, but meantime "Clarence" hits on an idea of his own. He is aware of the buzz in the community around the impending arrival of the Messiah, indeed his twin brother "Thomas" is an apostle (with a silent t). How hard can it be to fake some tricks to convince the gullible population that he can cure the sick or raise the dead? Up until now, this all has a rather "Monty Python" meets "Ben Hur" feel to it. It's amiable and well enough paced. Sadly, though, slightly more sincere and half-baked religious elements begin to kick in to the characters a little too earnestly, and the comedic elements are increasingly supplanted by a rather bitty narrative that sees the hitherto quite entertaining "Clarence" begin to take himself just a little too seriously and the entire enterprise stalls. Omar Sy delivers well as Barabbas - though I think maybe he ought to have been called Achilles; Benedict Cumberbatch looks more like Robert Powell than he does and the best scene by far comes from Alfre Woodard's lively interpretation of the Virgin Mary. It has it's moments, but is a bit of a mess of a film that starts off engagingly but is far too long and just sort of peters out.
Bruce Nolan toils as a "human interest" television reporter in Buffalo, NY, but despite his high ratings and the love of his beautiful girlfriend, Bruce remains unfulfilled. At the end of the worst day in his life, he angrily ridicules God - and the Almighty responds, endowing Bruce with all of His divine powers.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
Two criminal drifters without sympathy get more than they bargained for after kidnapping and holding for ransom the surrogate mother of a powerful and shady man.
A snobbish investor and a wily street con-artist find their positions reversed as part of a bet by two callous millionaires.
Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.
A teen living as hikikomori for two-and-a-half years is pushed to her breaking point in an ever-shrinking room while her mother tries to restore their relationship.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
17-year-old Jem Starling struggles with her place within her Christian fundamentalist community. But everything changes when her magnetic youth pastor Owen returns to their church.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.