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If I had to come up with one word to describe writer-director Woody Allen’s latest film, it would have to be “inconsequential.” This flat, uninspired slog about the trophy wife (Lou de Laâge) of an overly possessive well-to-do Parisian businessman (Melvil Poupaud) who has an affair after a chance meeting with one of her old classmates (Niels Schneider) is close to a career low point for the famed auteur. The picture’s wooden characters routinely spout trite, at times laughable dialogue peppered with nonchalant references about privileged upscale living and obvious, shallow observations about art, poetry and culture. Then, of course, there are the tired discussions about the role that luck plays in our lives that have now been incorporated into the scripts in nearly all of Allen’s 50 films. Even the narrative feels like a retread of previous releases with elements that appear to have been culled from such offerings as “Crimes and Misdemeanors” (1989), “Match Point” (2005) and “Irrational Man” (2015), only rearranged in a lighter, less interesting configuration of those other finer works – and one with an uncharacteristic and eminently predictable ending at that. The picture’s French language script is perhaps the only distinguishing trait of this work, but that adds precious little to the finished product (except perhaps for the eye strain that viewers are likely to walk away with for having to read everything). Don’t get me wrong – Allen is one of my all-time favorite filmmakers, but this release (like many of those in recent years) is not one of his better efforts. In fact, it’s been speculated (even by the director himself) that this could be his last picture, and it’s a shame if this is how he were to end his filmmaking career, going out with a whimper instead of a bang. But, if the gas tank is empty by this point, better to quit now than to continue producing mediocre, forgettable pictures that detract from an otherwise-great body of work.
After a yachting accident, a millionaire and his wife are shipwrecked on a desert island along with their former deckhand, Manuel.
When a marriage of convenience becomes the real thing, Joe moves his pregnant French wife to a tenement building on New York's Lower East Side. The street is like a war zone with none of the nostalgic appeal that Joe remembers from tales of his immigrant grandparents arriving in the same neighborhood with a new life. This is the urban frontier filled with comic mixture of gentrifies, homeboys, dealers and local residents simply bent on staying a float
Deformed since birth, a bitter man known only as The Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the crew.
A bet pits a British inventor, a Chinese thief and a French artist on a worldwide adventure that they can circle the globe in 80 days.
Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.
Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.
Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.
A streetwise Paris policeman who takes kickbacks from the minor criminals on his beat to allow them to continue is assigned an idealistic new partner fresh from police academy. He sets out to corrupt him...
Raphael is a ghostwriter who takes a job writing for famous footy player Kevin. To his delight and his girlfriend, Murials horror, Kevins current girlfriend is an old (easily rekindled) flame of Raphaels. A freak accident leaves a close friend dead and Raphael is forced to reconsider his priorities.
The story about the age gap between a scientist father, Philipe Le Tallec, and his newly discovered teen aged daughter, Eglantine.
The beautiful wife of a geologist frantically searches for her missing husband and is haunted by a man who bears a striking resemblance to him.