Silence of the Prey 2024 - Movies (May 19th)
Silent impulses 2023 - Movies (May 19th)
The Guardian of the Monarchs 2024 - Movies (May 18th)
Imaginary 2024 - Movies (May 18th)
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The Strangers Chapter 1 2024 - Movies (May 17th)
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Pandemonium 2023 - Movies (May 17th)
Nightwatch Demons Are Forever 2023 - Movies (May 17th)
Bad Romance The Vicky White Story 2023 - Movies (May 17th)
Faceless After Dark 2023 - Movies (May 17th)
The American Friend 2023 - Movies (May 17th)
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End of the Rope 2023 - Movies (May 17th)
Thelma the Unicorn 2024 - Movies (May 17th)
Power 2024 - Movies (May 17th)
Mothers Instinct 2024 - Movies (May 17th)
Challengers 2024 - Movies (May 17th)
The Dead Dont Hurt 2023 - Movies (May 16th)
The Palace 2023 - Movies (May 16th)
Accident, Suicide or Murder - (May 19th)
The SmackDown LowDown - (May 19th)
All Elite Wrestling- Collision - (May 19th)
All Elite Wrestling- Rampage - (May 19th)
Road to UFC - (May 19th)
The Only Way Is Essex - (May 19th)
Tiger - (May 19th)
On Patrol- Live - (May 19th)
Kill la Kill - (May 19th)
Interview with the Vampire - (May 19th)
Beacon 23 - (May 19th)
48 Hours - (May 19th)
Haileys On It! - (May 19th)
Kimi to Fit Boxing - (May 19th)
Inside Windsor Castle - (May 19th)
Weekends with Jonathan Capehart - (May 19th)
Later... with Jools Holland - (May 19th)
Casualty - (May 18th)
Gutfeld! - (May 18th)
Hannity - (May 18th)
When an English tomb raider (Josh O’Connor) skilled at dowsing uses his skills to hunt down buried Etruscan artifacts, he achieves success at his craft but suffers setbacks when he falls in with the wrong crowd. As a consequence, he drifts through life, trying to find his way (and, ironically enough, a moral footing), an odyssey filled with quirky people and events, a would-be romantic interest (Carol Duarte) with two carefully concealed children, an aging operatic instructor (Isabella Rossellini) skilled at fleecing her “students,” and, of course, his coterie of comical criminal cronies. Writer-director Alice Rohrwacher’s latest tells a delightful fable full of wit, whimsy, colorful characters, high intrigue and its share of surreal moments, all set against the Italian landscape. The film admittedly takes a little time to find its stride, so getting through the opening act will require some patience (editing here would have helped). But, once the picture finds its way, it becomes a fun-filled ride, peppered with absurdist humor and filmed with Fellini-esque cinematography and a production design reminiscent of the famed auteur. With a runtime of 2:10:00, it could stand some trimming (most notably at the outset, as noted above), but this cinematic charmer is a modestly pleasant diversion to watch while stretched out on the couch while casually savoring a demitasse of espresso and a plate of biscotti. Godere!
A rather scruffy looking Josh O'Connor is "Arthur" who has found a way to make a living in rural Italy where he uses his unique gift with a divining rod - well a big twig, really - to uncover ancient artefacts from deep beneath the surface. He's not averse to a bit of grave robbing either - for which he has recently been imprisoned, and now he and his cohorts sell their stuff to "Spartaco" (Alba Rohrwacher) and via a rather unique technique, too! What's clear is that "Arthur" is getting over something fairly monumental in his life, and we get a clue to that when he visits the rather doting but blissfully ignorant and elderly "Flora" (Isabella Rossellini) at her increasingly dilapidated mansion house where the furniture is destined for the furnace and her family all know the secret, but dare not speak it. He, himself, inhabits a shanty-town style shed abutting the old city wall, his once proud linen suit now grubby and filthy and he is rarely without a cigarette. As the plot unfolds - aided by an agreeably sparing amount of dialogue - we start to get a sense that "Arthur" is actually coming to his senses after something akin to a concussion. The pieces of his life are slowly coming together again as he and his pals make the discovery of a lifetime, only for... It's a slowly paced film, but that works well - as do the infrequent but quite punchy comedic elements of the drama. There can be a comparison drawn between the gradual unearthing of the long lost relics and with his own re-realisation but it's all delivered with a brightness that keeps it from becoming downbeat or depressing. Director Alice Rohrwacher offers us a personal story tempered with a bit of mythology and a fair degree of ill-defined humanity that is compellingly incomplete in many ways. I reckon it might merit a second watch, there's plenty of nuanced writing here.
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.
After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, The Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, The Butcher returns to Paris to find his daughter.
A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius. The American government thinks Ramius is planning to attack. Lone CIA analyst Jack Ryan has a different idea: he thinks Ramius is planning to defect, but he has only a few hours to find him and prove it - because the entire Russian naval and air commands are trying to find Ramius, too. The hunt is on!
Almost a decade has elapsed since glam-rock superstar Brian Slade escaped the spotlight of the London scene. Now, investigative journalist Arthur Stuart is on assignment to uncover the truth behind the enigmatic Slade. Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade.
Lu Xi, a female engineer at a locomotive factory who lost her husband during the decade of turmoil, and Feng Shaoheng, a young engineer, are working on the automation of lathes.
When 11-year-old Gitty discovers that her father, Abe, a good and beloved farmer, is holding a wealthy man hostage in their abandoned silo in order to save their suffering farm, she befriends the captive in secret. As the truth unfolds about who he is and what will happen if he escapes, Gitty chooses to confront the thin line between reality and fiction.