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I’m sure that all of you can always spot a film with good acting, superb plot and great cinematography easily but when it comes to a thriller that possesses all those above quality, it would be such a rarity. OldBoy here, second installment from The Vengeance Trilogy directed by Park Chan-wook (Sympathy for Mr. Vengeance, OldBoy, Sympathy for Lady Vengeance) really have them all, good story, powerful acting and the most horrifying and clever end twist if not genius. In fact no matter how many times you see this, the twist would still be awesome. The theme of revenge here is taken to the next level, to its supremacy for it’s really carefully-planned. OldBoy has a mind-bending assortment of drama, thriller, romance and beautifully spiced up with sadistic plot, shocking elements, ultra violence and clever psychological twist. Imagine yourself captured, locked in a room for 15 years, not knowing why and who did it and when you finally escaped and thought it’s all over, you were wrong and here’s the punching line, the direct punch to your stomach. Min-sik Choi as Oh Dae su really acted well, he really got us carried away by dragging us into the mystery that surrounds his life, into the depression he’s been feeling and into the deep well of his curiosity. Once again, OldBoy is a way too remarkable, when “revenge” isn’t merely knife-chopping or gun-battling. Enough said.
This is definitely one of the films to see before you die. It's seat-squirmingly unsettling, shocking and very violent. It's a journey into a truly disturbed mind; a mind, which - like yours will be - is unable to cope with what it discovers. This film is brilliantly twisted. It has a thread of the most wonderful, blackest humour running through it, a sense of complete disorientation and enough plot twists and turns to sustain your interest. Not one of the best revenge thrillers I've seen - simply THE best!
Just about everyone I’d spoken to about this film recommended it to me. I watched this film with the original Korean-language soundtrack, with English subtitles. Oh Dae-su (Chi Min-sik) is a bit of a flirt (whether he is a womaniser is not made clear) with a wife and young child, who has turned two years old on the day we start the film. Dae-su is in a prison waiting room having insulted a woman he was flirting with. A friend comes and eventually gets him out, but while he’s making a call to his wife to explain he will be home soon, he is kidnapped. Incarcerated in a small room, with only a TV for company, he is fed and looked after, but not allowed his freedom. He unsuccessfully attempts suicide several times. He keeps himself fit by doing exercise programmes he sees on TV and he starts to dig his way out with chopsticks. He sees a TV report that shows he’s been framed for the murder of his wife. Fifteen years later, without a word of explanation, he is released. The rest of the film follows his attempts to find out why he was imprisoned, who did it, and where his daughter is. The film is frenetic, highly charged, and very emotional on several levels. It is also bloody in places, but Dae-su’s obsession for seeking revenge on whomsoever imprisoned him and on finding out where his daughter is drives this film along. There are psychological aspects to the film as well, and the film does eventually resolve itself – it is not one of those open-ended “I wonder who did it” type films. Follow the film through and you will get all the answers. I would recommend it, but I wouldn’t call it light entertainment.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
Paul Rivers, an ailing mathematician lovelessly married to an English émigré; Christina Peck, an upper-middle-class suburban housewife and mother of two girls; and Jack Jordan, a born-again ex-con, are brought together by a terrible accident that changes their lives.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.
After serving prison time for a self-defense killing, Sailor Ripley reunites with girlfriend Lula Fortune. Lula's mother, Marietta, desperate to keep them apart, hires a hitman to kill Sailor. But he finds a whole new set of troubles when he and Bobby Peru, an old buddy who's also out to get Sailor, try to rob a store. When Sailor lands in jail yet again, the young lovers appear further than ever from the shared life they covet.
When professors discover that an aimless janitor is also a math genius, a therapist helps the young man confront the demons that are holding him back.
Nasty Piece of Work is a neo-noir thriller set in the fetish underworld of Los Angeles. The story is told from the point of view of three characters: a lifestyle dominatrix, a Buddhist stripper/saint, and a conflicted private investigator.
The lone survivor of a serial killer's attack tries to cope with the death of her friends and her mutilation at the hands of the maniac - but she fears the trauma has awakened a dark side within her as she slowly becomes something possibly even worse than the man who scarred her forever.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.