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Family Practice Mysteries Coming Home 2024 - Movies (May 20th)
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Vanderpump Villa - (May 20th)
Summer House- Marthas Vineyard - (May 20th)
Countryfile - (May 20th)
The Equalizer - (May 20th)
60 Minutes - (May 20th)
The Great North - (May 20th)
Bobs Burgers - (May 20th)
Expedition from Hell- The Lost Tapes - (May 20th)
The Simpsons - (May 20th)
Krapopolis - (May 20th)
The Sympathizer - (May 20th)
MILF Manor - (May 20th)
People Magazine Investigates- Surviving a Serial Killer - (May 20th)
Wardens of the North - (May 20th)
Paranormal Caught on Camera - (May 20th)
Naked and Afraid XL - (May 20th)
90 Day Fiance- Happily Ever After? - (May 20th)
Ciao House - (May 20th)
The Jinx- The Life and Deaths of Robert Durst - (May 20th)
Sullivans Crossing - (May 20th)
I tried, I really did! I hoped that the fairly decent, experienced, ensemble cast coupled with state of the art visual effects and a collection of modern-day pop lyrics would breathe new life into this timeless story. Well, sadly, that was all just a triumph for optimism over, well, just about anything... It's terrible. Good looking, well produced, but terrible. Am I the only person left alive who is fed up being shouted at by Edina Menzel? Pierce Brosnan demonstrated in "Mamma Mia" (2008) that he is happy to play parts with his tongue in his cheek, but here I fear he must have cringed when he saw; likewise Minnie Driver and a whole host of British comedians led by the ubiquitously un-talented James Corden. Billy Porter tries a different take on the fairy godmother character but features all to sparingly to make much impact on an otherwise extremely pedestrian interpretation that reached it's nadir with the cute but totally wooden pairing of Nicholas Galitzine (Freddie Mercury would spin in his grave) and Camila Cabello. Sorry, maybe if I were 6 years old and had nothing to compare this with, I'd not be so harsh - but I'm not and this is poor, really poor...
Cinderella is a jukebox musical, based on a classic fairy tale, with CGI animals, and the now obligatory ethnically diverse cast (though oddly relegated to the extras; all of the main characters, with one exception that we'll get to later — and that's certainly not Camila Cabello —, are of the Caucasian persuasion. It's like, how much more lazy could this writing be? And the answer is none. None more lazy. To put it in perspective, Lin-Manuel Miranda's so-called songs from Hamilton or In the Heights are all over the place, but at least he sat down and committed them to paper himself (and you can tell from the result that he did without any help at all). Conversely, what we have here is the worst of two worlds: on the one hand, covers so watered down they constitute sonic homeopathy, and on the other, original songs so bland that they make the covers sound good in comparison. As bad as, say, Rocketman is, at least it's a jukebox musical that makes sense; after all, one expects to hear Elton John songs in an Elton John biopic. This of course doesn't change the fact that, should I want to listen to John's version of “Pinball Wizard”, I'm going to watch Tommy, not Rocketman. By the same token, if I want to see a Cinderella musical, the gold standard is still the 1950 Disney version, which contains original, plot-relevant songs that they were written expressly for the film — as opposed to a glorified playlist that fails miserably at the two most important functions a song has in a musical: moving the story forward and developing the characters (how exactly a medley of “Whatta Man” and “Seven Nation Army” is going to accomplish either of those things, I haven’t the foggiest) — especially considering that YouTube, iTunes, Spotify, etc. allow me to easily enjoy the superior, genuine article performed by the artists who wrote and/or recorded it in the first place. As for the exception to the 'inclusive' cast that I mentioned above, it's the Fabulous Godmother; played with overflowing exuberance by Billy Porter; this is the only character endowed with a life of its own, something for which the actor, and not the script or the director, deserves exclusive credit. The rest — even (sigh) Pierce Brosnan and Minnie Driver — are so opaque and forgettable that they might as well have been as computer generated as the animals
A man steals the dreams of innocent villagers and tries to sell them back to the townsfolk.
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.
Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he's a conservative voter, she has to deal with a new boss, a strange contractor and the worst vacation of her life.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.
Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes - Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara's passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.
Hallie Parker and Annie James are identical twins separated at a young age because of their parents' divorce. Unknowingly to their parents, the girls are sent to the same summer camp where they meet, discover the truth about themselves, and then plot with each other to switch places.
Deformed since birth, a bitter man known only as The Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the crew.
Long time friends Louise, Nina and Alice celebrate their recent graduation with hectic partying, joined by their friend Kane who is the only friend not to attend university. Louise’s imminent departure for London adds to the underlying tension within the group, and as the boundaries between real and surreal blur, Louise devises an intervention to save their final days together. They embark on a road trip to regional Australia, and upon returning home face the reality of her departure. They are left, a group of suburban animals, on the threshold of their lives.
Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.
The uneventful lives of three young men who live in a small, poverty-stricken village in southern Italy.