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Ottar Thor (Bjorn Hlynur Haraldsson) is the handsome, arrogant star player of a pro soccer team, as well as main breadwinner for a family in which the overbearing males seem to spend most of their time telling long-suffering wives to shaddap. Ottar is divorced from his spouse, a former Miss Iceland (Lilja Nott as Gugga) turned full-time alcoholic. They share custody of adolescent son Magnus (Arnmundur Ernst), who buries himself in videogames. Ottar doesn’t think about the repercussions when he decides to tell a journalist — in the locker room after a game — that he’s gay. His motivation is no loftier than securing a magazine cover for himself. But teammates, the conservative owners, and everyone else immediately freak out. Ottar finds himself banned from play, and for lack of anything else to do, joins a friend’s amateur league team, which already has a couple of gay guys on board. Soon more show up — drawn by the protag’s notoriety — as hetero players flee. Reconstituted squad’s league status skyrockets, even if its winning streak is largely a matter of forfeits by rivals who refuse to play the “queers.” Meanwhile, Ottar’s former team is suffering a publicity backlash from having kicked him out. They want him back — even if they’re still nowhere near to accepting “the gay thing.” Things culminate in a farfetched but agreeable showcase match between amateurs and pros, which just happens to be scheduled on Gay Pride Day. A similarly acerbic but not unkind humor pervades the story’s other threads. Ottar’s parenting skills are fairly lousy, but he does care, as does the generally hapless Gugga. Magga’s rising hostility turns out to be based not in homophobia, but in the fact that no 13-year-old is thick-skinned enough to welcome a parent’s coming out in the national media. When Ottar tries to settle down into his new lifestyle by going steady with a teammate, the effort flops — because he chooses a partner even more shallow than he. Subsidiary characters — notably, the hero’s incredibly obnoxious father (Sigurdur Skulason) and brother (co-scenarist Jon Atli Jonasson — have no redemptive qualities, but make up in sheer hilarity whatever they lack in psychological nuance. Perfs are perfectly in tune with the director’s deadpan yet boisterous tone. Design contribs hit the right gritty but polished note, while the tech package is first-rate.
Former pool hustler "Fast Eddie" Felson decides he wants to return to the game by taking a pupil. He meets talented but green Vincent Lauria and proposes a partnership. As they tour pool halls, Eddie teaches Vincent the tricks of scamming, but he eventually grows frustrated with Vincent's showboat antics, leading to an argument and a falling-out. Eddie takes up playing again and soon crosses paths with Vincent as an opponent.
Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
Loving but irresponsible dad Daniel Hillard, estranged from his exasperated spouse, is crushed by a court order allowing only weekly visits with his kids. When Daniel learns his ex needs a housekeeper, he gets the job - disguised as a British nanny. Soon he becomes not only his children's best pal but the kind of parent he should have been from the start.
Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.
Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
When Sam Baldwin's wife dies, he is left to bring up his eight-year-old son Jonah alone, and decides to move to Seattle to make a new start. On Christmas Eve, Jonah rings a radio phone-in with his Christmas wish to find a new wife for his dad. Meanwhile in Baltimore, journalist Annie Reed, who is having doubts about her own relationship, is listening in.
When a Jamaican sprinter is disqualified from the Olympic Games, he enlists the help of a dishonored coach to start the first Jamaican bobsled team.
During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.
In Grenoble's Gypsy community, a young kick-boxing champion learns about manhood from his gay elder brother.