Synecdoche, New York

A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.

A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She'll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He's reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day "contract", these two total strangers will have had a profound impact on each other.

Jack always lands on his feet. He lands on his feet when he marries the beautiful Sarah. He lands on his feet when he buys a luxurious new home. However, when Sarah goes into labour, he takes a tumble down the stairs and lands on his head. When he comes around he discovers he is the proud father of a baby girl, but deficient in the spouse department to the tune of 1.

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

A young man returns to his childhood home to improve his relationship with his father. However, when he arrives, everything seems different.

The life of Franz Kafka in a series of independent chapters: from his birth in 19th-century Prague to his final years in Berlin and death in 1924, and his imagined future.

After the death of her husband, an elderly vicar's wife re-discovers a book of erotic fiction that she wrote in her youth.

In the chaotic days of the 1960s, Misuzu, a lonely high school girl from a troubled family, finds sanctuary with her nihilistic brother, Ryo, and his friends. They pass their days hanging around a shadowy jazz cafe bar, indulging themselves in a life of sex, drugs and alcohol.

To satisfy her controlling mother and secure both of their futures, a daughter hesitantly enters a loveless marriage to a wealthy businessman. Years later, after she has uncovered and overcome her mother's deceptions and manipulations, her newfound happiness is threatened with the appearance of a mysterious "man from the sea."

HARRISON is an optimist with a history of schizophrenia and a limited social circle who battles the diverse and unpredictable voices he hears, a judgemental society and the hazards of social media as he attempts to make a new friend. To manage the voices, he projects them into his childhood toys: SMILING HERBERT contains the voice of rage, MOLLY is the voice of paranoia, BEAN represents irrepressible sexual thoughts, CONRAD speaks the bare facts, MARROW provides an indecipherable mumble and MOUSEY is the sound of panic. When Harrison happens upon the philanthropic online posts of the beautiful social media addict, AMBER, and she blindly accepts his “chum request”, Harrison sees this as the beginning of a beautiful friendship, but is it...?

During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.