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When the trailer of Thangamagan was released, it immediately brought to mind his " Velaiilla Pattadhari" (VIP) with its shot collage of domestic life and masala heroism. " Thangamagan" has all that but these moments feel like a watered down version of what we had seen in the previous film. The film plays on the middle-class male fantasy of young men wanting to be a caring son, a charming boyfriend, a loving husband, and a hero for the family. There is a scene where the protagonist Tamizh (Dhanush, playing the guy-next-door for the umpteenth time) and his friends are watching "7/G, Rainbow Colony" — a film that so successfully tapped into this fantasy — and the screen fills up with the words 'A film by Selvaraghavan'. It is Dhanush rightly acknowledging the influence of his brother. But the film lacks the edginess that characterizes Selvaraghavan's films and the naturalism of "VIP's" domestic scenes. The characters come across more as archetypes — hardworking father, loving mother, stunning girlfriend, demure wife, wisecracking friend and so on — and so, we care less for them. And, the sense of niceness that we see on screen feels less organic and more calculated. But the film isn't a damp squib, either. The principal cast feels right in their roles. Ravikumar and Radikaa are pitch perfect, while even Amy, who is made to sing Tamizhukkum Amudhendru Paer (of all things), manages to pass muster. The scenes in the first half have a smooth rhythm. There is lightness in these scenes and despite the familiarity of the situations, the film keeps us engaged. Tamizh's break-up with Hema ( Amy Jackson), the Anglo-Indian girl whom he loves, and his honeymoon period with Yamuna ( Samantha), the girl he eventually marries, happen in the space of few minutes but the film is convincing in portraying the fact that the protagonist has moved on. Situations that could have become full-blown melodrama of the TV serial variety are treated with a restraint that is admirable. When Tamizh's father (Ravikumar) dies, the camera gradually slips out of the room as if to not intrude on the family's grief and the film even asks the same of the audience and breaks into the intermission. However, the film lacks a potent conflict (we are instantly able to solve the mystery over missing cash that is the root cause of Tamizh's troubles) and that is why it begins to feel over-long, despite clocking in at just over two hours. And given that it exhausts the feel-good moments in the first half, the second half feels weak, with antagonists who are just not effective enough (it was the case in " VIP" and "Maari" as well) and unimaginative stunts. These scenes, intended as masala moments, feel forced and completely out of place. The emptiness in these portions is why we leave the theatre with a feeling of dissatisfaction.
A blindsided boyfriend must prove his fidelity when his girlfriend spontaneously dumps him after suspecting him of cheating. Based on the successful stan-up comedy show of the same name.
Vishal, a young man, falls in love with Pooja and marries her. However, his marital bliss turns into a nightmare due to the constant tussle between his wife and mother.
Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”
Despite their different family backgrounds, four friends grew up together in the wearisome years of the 70s. But as time goes by, each of them takes a different life path.
A financial executive who can't stop his career downspiral is invited into his daughter's imaginary world, where solutions to his problems await.
The Hartmann family is turned upside down when mother Angelika decides to take in the refugee Diallo, against her husband's will. Amidst the typical chaos of our time, hope remains that the family finds its stability, confidence and peace again - just like the whole country.
One month after breaking up with Giselle, Jamie wrestles with romantic memories and surreal house guests.
In California, a group of women struggle with personal problems as their paths intertwine in unexpected ways. Dr. Elaine Keener, the sole caretaker for her aging mother, turns to tarot card reader Christine for spiritual aid. Christine grapples with her own angst due to her lover's debilitating illness. Meanwhile, a bank manager deals with an unwanted pregnancy, two sisters pursue romantic interests and a housewife gets back into the dating game.
A divorcee has a passionate affair with a much younger surfing instructor in Hawaii.
Amhi Satpute is a 2008 Marathi remake of the Hindi action comedy film Satte Pe Satta. It was made by Sachin Pilgaonkar who also appears in it, alongside other primary cast including Ashok Saraf, Supriya Pilgaonkar, Swapnil Joshi, Atul Parchure and Nirmiti Sawant.
Surviving a plane crash in the Sahara, four oilmen find and manage to repair a German Afrika Corps tank which had been buried in the sand since WWII.