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Ernest Thesiger is superb in James Whale's sequel to "Frankenstein" as the scientist who has perfected the art of growing rather than harvesting tissue. When he meets up with Baron Frankenstein's original monster they set about coercing the reluctant Baron to create a wife for the lonely Boris Karloff. This is a cracking tale of science fiction, horror and even romance as the monster ends up endowed with far more "humanity" than either scientist. Una O'Connor and Elsa Lanchester are both great too, though feature sparingly. The special effects stand better scrutiny than many a sci-film being made twenty years later and the cannibalised classical musical score brings tension, joy, love and despair a-plenty to compensate for, admittedly a rather stilted script. Easily amongst the best "Frankenstein" films ever made in my book.
**_Dr. Frankenstein and his former mentor try to create a mate for the monster_** The monster (Karloff) survives the windmill burning of the previous film and wanders the countryside of Bavaria while Doctor Pretorius (Ernest Thesiger) approaches Baron Frankenstein (Colin Clive) with the idea of collaborating to create a mate for the monster, which presumably will domesticate him. This Universal classic from 1935 was one of the first sequels to a mainstream film and arguably started the concept of a movie franchise or, at least, a cinematic trilogy: The 1931 movie, this sequel, and the follow-up “Son of Frankenstein” (1939) all feature Boris Karloff as the monster along with other overlapping actors and characters. It has a story arc and comes to a clear ending in the third flick. Valerie Hobson is a highlight on the female front as Elizabeth Frankenstein (replacing Mae Clarke from the first film). Meanwhile Elsa Lanchester plays the dual role of Mary Shelley and the titular character at the end. The prologue presents a glaring issue since Mary conveys this sequel to Lord Byron and Percy Bysshe Shelley not long after the success of “Frankenstein,” which was published in 1818. Since the film obviously contains fashions & technology of the early 1930s mixed with elements of the 1800s (which the director described as an “alternate universe”), Mary would have to be predicting what it would be like in the distant future, at least 1899 (which is the tomb’s date on a recently deceased woman in the story). This is one of those rare occasions where the sequel is better. It’s marked by increased camp (but not overkill), the monster’s memorable friendship with a blind man in the forest, and the fact that he learns to speak in a monosyllabic fashion (which Karloff objected to). It’s an iconic addition to the Frankenstein story, a Gothic horror tragedy highlighted by unforgettable renditions of the monster and his “bride.” The B&W movie runs 1 hour, 15 minutes, and was shot entirely in the studio at Universal Studios in Greater Los Angeles. GRADE: B+
When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town.
Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
A teenage girl is captured by a giant mutated squid-like creature that appears from Seoul's Han River after toxic waste was dumped in it, prompting her family into a frantic search for her.
A compilation of shorts, diverse experimental content and more weird stuff spread directly from the devious mind of the South African film director Neill Blomkamp. Includes: Rakka, Firebase, Zygote, Kapture-Fluke, Cooking with Bill, Praetoria, God and Gdansk.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
British estate agent Renfield travels to Transylvania to meet with the mysterious Count Dracula, who is interested in leasing a castle in London and is, unbeknownst to Renfield, a vampire. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together, and as Dracula begins preying on London socialites, the two become the subject of study for a supernaturalist professor, Abraham Van Helsing.
When a meteor shower rains down outside Los Angeles, Jonas and Lars, two friends stuck in tired, boring lives, head out to find a meteor and strike it rich. After recovering one, they start being stalked by terrordactyls, ancient flying reptiles that launch a full-on assault on the city. Trying to survive, they go on the run...
Reptiloid starring Marin Mandir, Goran Kramaric, and Goran Dujmic. A giant, Komodo dragon-like lizard is hunting a police officer in the middle of a forest.
Our “true” life path decisions are heavily influenced by many external factors (known as the imposed choice) such as our environment, our friends/families, and spiritual inclinations. However, this internal compass (known as our independent choice) such as personal passions and feelings that help guide us to our mind’s “true” path.
