The American Friend 2023 - Movies (May 17th)
End of the Rope 2023 - Movies (May 17th)
Thelma the Unicorn 2024 - Movies (May 17th)
Power 2024 - Movies (May 17th)
Mothers Instinct 2024 - Movies (May 17th)
Challengers 2024 - Movies (May 17th)
You Cant Run Forever 2024 - Movies (May 17th)
The Dead Dont Hurt 2023 - Movies (May 16th)
The Palace 2023 - Movies (May 16th)
Baghead 2023 - Movies (May 16th)
The Fall Guy 2024 - Movies (May 16th)
The Blackwell Ghost 8 2024 - Movies (May 15th)
Wicked Little Letters 2023 - Movies (May 15th)
The Last Kumite 2024 - Movies (May 15th)
Godzilla x Kong The New Empire 2024 - Movies (May 15th)
We Will Rock You 2024 - Movies (May 15th)
The Garfield Movie 2024 - Movies (May 15th)
Kingdom of the Planet of the Apes 2024 - Movies (May 14th)
Irenas Vow 2023 - Movies (May 14th)
Sting 2024 - Movies (May 14th)
The Shamrock Spitfire 2024 - Movies (May 14th)
Swamp People- Serpent Invasion - (May 17th)
Accused- Guilty or Innocent? - (May 17th)
After the First 48 - (May 17th)
The Cook Up with Adam Liaw - (May 17th)
Station 19 - (May 17th)
Law and Order- Special Victims Unit - (May 17th)
9-1-1 - (May 17th)
Greys Anatomy - (May 17th)
Law and Order- Organized Crime - (May 17th)
Welcome to Wrexham - (May 17th)
I Can See Your Voice - (May 17th)
The Last American Vagabond - (May 17th)
Gutfeld! - (May 17th)
Hannity - (May 17th)
The Five - (May 17th)
The Ingraham Angle - (May 17th)
Tucker on X - (May 17th)
99 - (May 17th)
Elsbeth - (May 16th)
So Help Me Todd - (May 17th)
The Grudge begrudgingly latches onto croaky jump scares without logical cohesion. This, is an unusual horror to review. It’s rather uncommon for the same director, in this case Takashi Shimizu, to remake his own original film for an entirely different audience. Most would push their original creation onto the masses and convince them, with glorified persuasion, to withstand subtitles and invest the time into the chilling ghost story. Yet Shimizu thought it would be apt to direct his own film again. Admirable? Yes, it ensured he received total creative control over the studio and producers. Necessary? No. Somehow, by remaking the exact story with essentially the same spine-tingling sequences, Shimizu downgraded the atmospheric aura of ‘Ju-On’, resulting in nothing more than a Japanese ghost boy releasing his inner cat and his ethereal mother croaking the life out of anyone who visits the cursed house. That’s the plot synopsis, right there. Well, there’s a tad bit more to the mystery, however Shimizu’s insistence on haphazardly fracturing the narrative between present day and the past week consequently confused audiences rather than enthral. There’s no logic behind the structure. No foundational development. And certainly no characterisation. So the abrupt switching back and forth held no purpose, other than to illustrate a host of jumpy death sequences. Some effective apparitional imagery heightened the tension, particularly the surveillance footage sequence and bedroom scene that made me frightened of my own bloody duvet when I was an innocent boy, yet negated by the bland acting from every single actor. Buffy has no more vampires to slay or Daphne has solved all remaining mysteries (take your pick...), and so she’s left wandering aimlessly around Tokyo with just one facial expression. Confusion. Pullman contributed nothing. And even Kayako herself, Fuji, was grossly misused during moments of tension-raising buildup. The final expositional flashback sequence, revealing to us why the house is now essentially cursed, was rushed and overwrought. Then concluding the entire feature on a frickin’ jump scare that looked cheaper than Kayako’s mascara. By the time the credits roll, you’ll be thinking to yourself “...why are these Americans in Tokyo anyway?”. I just...don’t understand how Shimizu can make his remake so unprogressive in terms of quality. He had another shot at bettering his original, overcoming previous criticisms, yet failed miserably. I’m open to the idea that The Grudge is a product of its time, comprising of several horror traits that the previous decade had commonly exploited. And I appreciate it stuck to its J-horror roots. But damn, this has not aged well in the slightest. The core is there. I can visibly see the contents. Yet, either due to Shimizu’s inability to improve in directorial control or studio interference, The Grudge growled like a ghoulish kitten instead of exhuming a ghostly lion’s roar. Y’know, because Toshio opens his CGI mouth and a cat noise comes out? Urgh, whatever. Couldn’t think of anything...
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.
Los Angeles. A wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the form-changing creature wreaks havoc, creates terror... and becomes one of them.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly, and patient Jeffrey Goines, the son of a famous virus expert, who may hold the key to the mysterious rogue group, the Army of the 12 Monkeys, thought to be responsible for unleashing the killer disease.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
A girl, Yūri Kurahashi, after watching a cursed videotape together with her friend in a haunted house, becomes trapped in a conflict between the two murderous ghosts: Sadako Yamamura and Kayako Saeki
A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo, a mean high school prank goes horribly wrong, and strange things begin happening in a Chicago apartment building.