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Lee returns as Dracula after an 8-year absence. RELEASED IN 1966 and directed by Terence Fisher, “Dracula: Prince of Darkness” focuses on two English couples circa 1900 traveling the mysterious forests of Eastern Europe who are warned to stay away from a particular area that has an ominous castle. Fools that they are, they end up spending the night and the sinister Count is resurrected. Hammer did nine Dracula films from 1958 to 1974: Horror of Dracula (1958); The Brides of Dracula (1960); Dracula: Prince of Darkness (1966); Dracula Has Risen from the Grave (1968); Taste the Blood of Dracula (1969); Scars of Dracula (1970); Dracula AD 1972 (1972); The Satanic Rites of Dracula (1973); and The Legend of the 7 Golden Vampires (1974). Christopher played the Count in every one of these except "The Brides of Dracula" and "The Legend of the 7 Golden Vampires." As such, "Dracula: Prince of Darkness" was Lee's return to the role after a long eight year absence. Most Hammer fans praise the first film in the series from 1958, which was Lee's first gig as Dracula, and it is a solid entry with the typical Hammer highlights, like lush Gothic ambiance, bright colors, Lee & Cushing and bodacious women, not to mention Lee's diabolical interpretation of the Count and one of the most stunning horror scores by James Bernard. But the truncated story wasn't completely satisfactory and there were too many 50's limitations IMHO. I prefer this sequel as it features all the Hammer hallmarks listed above, except Cushing. Some might complain about the slow first half, but I like the way the film takes its time and concentrates on the two couples, the spooky ambiance, and the build-up of suspense. Klove (Philip Latham) is a particularly creepy character with his courteous pretense. The way he resurrects the Count is a ghastly highlight. Interestingly, Lee doesn't have all that much screen time and not one line of dialogue, so he's basically a vampire bogeyman here. But the lush Gothic atmosphere is potent and the cast shines, especially Barbara Shelley as the doomed wife of a so-“cultured”-he's-stupid husband (Charles Tingwell). And Andrew Keir as Dracula's worthy antagonist, Father Sandor, a most formidable monk. I also appreciated the elaboration on vampire lore by Sandor (Keir). One reviewer scoffed at the idea that the undead have to be willingly allowed into a person’s abode, but this fits the parallel of vampires to evil itself, which first affects a person’s mindset (ideology) and THEN their behavior or lifestyle. In short, evil cannot overtake a person unless s/he willingly allows it. THE FILM RUNS 90 minutes and was shot in Buckinghamshire and Berkshire, England, (with, perhaps, some establishing shots from Romania, e.g. the mountains). WRITERS: Jimmy Sangster and Anthony Hinds. ADDITIONAL CAST: Francis Matthews & Suzan Farmer play the other couple. GRADE: B
Admitted to Mt. Abaddon Hospital for a routine procedure, George Grieves discovers that his condition is much more serious and complicated than originally expected; and as his own fears begin to manifest around him, he learns that Mt. Abaddon is not a place where people come to get better... it is a place where people come to die.
On a stormy night, young Jim, who transports a luxury car from Chicago to California to deliver it to its owner, feeling tired and sleepy, picks up a mysterious hitchhiker, who has appeared out of nowhere, thinking that a good conversation will help him not to fall asleep. He will have enough time to deeply regret such an unmeditated decision.
Dwight and his sister Jessie reach a crossroads over what to do about their little brother Thomas, a sickly child with a mysterious affliction.
A teenage boy and his friends face off against a mysterious grave robber, known only as the Tall Man, who employs a lethal arsenal of unearthly weapons.
While investigating the horrifying death of her boyfriend, Mai Takano learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.
A young pathologist seeks answers to the mysterious death of a friend and soon comes into contact with the same cursed videotape that caused the death of the friend's wife and son, which is haunted by the curse of Sadako, a relentless spirit.
Five years after the horrible bloodbath at Camp Crystal Lake, new counselors roam the area, not sensing the ominous lurking presence that proves that the grisly legend is real.
An idyllic summer turns into a nightmare of unspeakable terror for yet another group of naïve counselors. Ignoring Camp Crystal Lake's bloody legacy, one by one they fall victim to the maniacal Jason, who stalks them at every turn...
After his revival in a hospital morgue, Jason fixes his vengeful attention on the Jarvis family and a group of hitherto carefree teenagers.