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A very good movie could be made with Wesley Snipes, Ving Rhames, Michael Rooker, Wes Studi and Peter Falk; Undisputed is not that movie, and the fault lies not in its stars, but in writer/producer/director Walter Hill. This is unfortunate because the film initially appears to be smarter than the average prison movie. Instead of the usual Force Prized Fights/Involuntary Battles to the Death wherein a Condemned Contestant goes through a Tournament Arc in order to Win His Freedom, we get a state-sanctioned, inter-prison boxing program. Sadly, Undisputed manages to avoid all the above-mentioned clichés only to succumb to the The Thunderdome. In lieu of a ring with ropes, the bouts take place in a big-ass, roofless cage with barbed wire atop its walls — but why? Why go to the trouble of establishing the lawfulness of the premise only to make the actual thing look like a Texas Death Match? Anyway, disgraced heavyweight champion George 'The Iceman' Chambers (Rhames) is convicted of rape, sentenced to 6-8 years, and sent to Sweetwater maximum security prison in California. Chambers asks his cellmate Mingo (Studi) why he’s there. Mingo replies that «it's not considered polite to ask why we're here. Kinda violation of the ethics. You know, the code?» No, I don’t know. What code? I’d seriously like to know, because it would mean that every prison movie where a character asks another character what he’s in there for (i.e., all of them) is in breach of some sort of tacit etiquette system. Mingo’s right, though; no need to ask when Hill helpfully includes captions detailing the lives and crimes of every single characters — even those who only appear in a couple of scenes. Why exactly do we need to know that the announcer/commentator is a con artist convicted of larceny in 1995 named Marvin? Mendy Ripstein (Falk), an elderly mobster/boxing fan, becomes dead set on booking a fight between Chambers and Sweetwater’s own state champion Monroe Hutchens (Snipes), so that he can (according to All Movie) "pull in a million dollars in bets from guards and inmates" (the movie actually speaks of multiple millions of dollars; either way, that’s a lot of cigarettes). Chuy (Jon Seda), Ripstein's caretaker or something, says “I talked to the head guard [Rooker]. He’s OK agrees. But the warden [Dennis Arndt] is a problem.” The nature of this problem seems to be that the warden can’t make up his goddamn mind; first he allows the fight, as long as it happens while he’s on vacation. He then backtracks and cancels it. Finally, he backpedals yet again and agrees to it. He’s not the only indecisive one, however; at first Ripstein wants a bare knuckle fight, but then someone complains, Ripstein thinks it over for about five seconds, and decides that it’s better with gloves — so why bring it up at all. I understand why they cast Falk in this role, but they needn’t have bothered him for something that Burt Young could have easily handled. As for Rooker and Studi, Hill forgot to write parts for them to play — which is odd considering that Rooker as a sadistic, racist guard C.O and Studi a mystical mentor are parts that pretty much write themselves (and even such clichés, that both actors are more than able to elevate beyond the commonplace, would be better than nothing). That leaves Snipes, who does with his Zen Warrior what he can (not much, since he spends a good chunk of the movie in solitary confinement), and Rhames, who has the juiciest character and makes the most of it, as a man torn between the need to be a "model prisoner" if he wants to regain his freedom and resume his career before it’s too late, and his pathological desire to be respected and feared at all costs, something he only knows to achieve through physical violence. Unfortunately, the ugly business of rape remains unaccountably ambiguous. Chambers is unequivocally the antagonist, and Rhames is so good at being bad that it's hard to believe his claims of innocence. Therefore, either Chambers is innocent in that particular respect but a horrible human being in general, or he's guilty and ultimately gets away with it, since in exchange for fighting Monroe, Ripstein uses his clout to get Chambers out "in special parole” (one has to wonder why Ripstein, who can get someone paroled without having served the minimum time required, doesn't use his obviously vast influence to his own advantage). We are supposed to believe that the humiliation of being beaten by Monroe is punishment enough; Chuy narrates at the end that “The Iceman and his manager denied that the fight with Monroe ever happened and the story that he lost was just a big rumour” — and why wouldn’t they? It is, after all, their word against that of 700 witnesses between inmates and prison staff, not to mention, as Marvin points out, “our friends from Las Vegas, here to witness this competition and report to various cities across our great country. A lot of bookmakers want to know what's coming." D'oh!
Gerry Miller, a professional hockey player, gives in to internal and outside pressures and adopts a more aggressive style on the ice. During one particularly violent game a player on an opposing team dies, and the authorities charge Miller with manslaughter.
This lengthy docudrama records the harrowing conditions at the Confederacy's most notorious prisoner-of-war camp. The drama unfolds through the eyes of a company of Union soldiers captured at the Battle of Cold Harbor, VA, in June 1864, and shipped to the camp in southern Georgia. A private, Josiah Day, and his sergeant try to hold their company together in the face of squalid living conditions, inhumane punishments, and a gang of predatory fellow prisoners called the Raiders.
After causing a commotion with his last assignment, Falk has been given a desk job, which hardly agrees with his personality, and he ends up accepting an offer from an old friend to buy into a private investigation agency. Another friend of Falk's, Sven, purchased a business in Estonia, and when local gangsters attempted to pressure him into paying protection money, Sven retained the services of Nikolaus Lehmann, a burly private eye, to throw them off his trail. However, Lehmann does his job all too well, murdering the racketeers, and then threatening Sven and his family. With no where else to turn, Sven asks Falk to help him deal with the crazed Lehmann; Falk agrees, but soon realizes he's dealing with a more dangerous man than he imagined when Lehmann kidnaps Falk's wife Jeanette, and then releases her with a time bomb locked around her neck, demanding that Falk hand over ownership of his detective agency to Lehmann.
Manuel Jordan is a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the newly paroled man seeks redemption. Instead, redemption—in the form of a mysterious minister and two needy women— finds him.
Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.
Journalist Amar falls for a mysterious woman on an assignment, but she does not reciprocate his feelings. However, when Amar is about to get married, the woman shows up at his doorstep asking for help.
When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.
After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.
After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.
A young drifter, struggling to makes ends meet, accepts a job to kill a prominent accountant. When he isn't paid for the hit, revenge is now his path.
Taking over Leeds United, Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor.