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PopMaster TV - (May 29th)
The Chase - (May 29th)
Gruen - (May 29th)
The Summit - (May 29th)
Alone Australia - (May 29th)
The Chase Australia - (May 29th)
Uncle Samsik - (May 29th)
The 11th Hour with Stephanie Ruhle - (May 29th)
Dark Matter - (May 29th)
WWE NXT - (May 29th)
The Big Valley - (May 29th)
Police 24/7 - (May 29th)
Hostage Rescue - (May 29th)
Ghost Ships - (May 29th)
Secrets of The Lost Liners - (May 29th)
Deadman’s Curse - (May 29th)
Password - (May 29th)
Rip Off Britain - (May 29th)
Americas Got Talent - (May 29th)
Tipping Point Australia - (May 29th)
Safe and amiable enough... Jim Hardy retires from show business to become a farmer in New England. Once set up he finds that it's a life that is somewhat more demanding than he had first thought. Hitting on an idea that should make his life more fulfilling, he turns the farm into an Inn that only opens on public holidays. But things get complicated when Jim's old partner, Ted, turns up and sets his sights on Linda, Jim's gorgeous "friend", this holiday period may not be so happy after all. Boasting great star power in the form of Bing Crosby and Fred Astaire, Holiday Inn still feels short of the required genre excitement. There is no doubting the benefit here of having both the leading men's respective abilities on show, where Bing croons with the best of them and Fred of course dances with majestic grace. We get a firecracker sequence that's particularly memorable, but sadly the women of the piece are forgettable, while outside of the songs and dances the film drifts into almost sleepy auto pilot. All those involved have done far better, that's for sure, but at least here we get to hear the first airing of the Academy Award winning song, White Christmas. The film is a favourite of many, certainly it is, yet it's just a very average picture and not one that under revisit scrutiny survives away from nostalgic glows. 5/10
A mildly entertaining movie if you don’t mind watching classics. There are witty and funny moments, but the romantic aspects aren’t very convincing. Perhaps this is how romance is with celebrities— no passion? No, I doubt that. The dance numbers aren’t up to Fed Astaire’s usual imaginative standard and a few of the songs about lesser holidays are rather lame. The sets are unconvincing- would a farmhouse really be this large? But this is picky stuff. If you don’t mind classic black and white films this is entertaining enough, especially if you are watching with friends or family, as it doesn’t require close viewing to stay caught up with the plot. I only wish it had a bit more real romance and less talking about romance.
Simply a must-watch at Christmas time. An Irving Berlin musical made in the forties. Yes, please!
The movie The Wizard of Oz (1939) with the soundtrack replaced by Pink Floyd's album The Dark Side of the Moon (1973); several uncanny moments of synchronisation and a generally darker tone than the original film.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Two women, one from the United States and one from the United Kingdom, swap homes at Christmas time after bad breakups with their boyfriends. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.
A holiday favourite for generations... George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.
A snobbish investor and a wily street con-artist find their positions reversed as part of a bet by two callous millionaires.
Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.
On new year's eve of 2021, John sits alone at the bar, sad and drinking heavily during the lowest points of his life. Until he is visited by the Grim Ripper who hands him a letter with his name on it, a letter that means he will die just as the clock will strike midnight on new year's day, after which the Ripper leaves. Unfazed by the news, he continues his drink until he is greeted by a woman he has never seen before, who has also received a letter from the Ripper and overheard the conversion. During their final moments on earth before new year's day, they both bond, debate, and reflect on their lives.
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.
The pert Tina is sick of school and the muff in her Bavarian village. She wants to go with Tino - attendant of a visiting auto-scooter - who has to leave the place for dubious reasons. However he lets her down and leaves alone. Now Tina persuades fellow student Robby, who has a crush on her, to take her on a random trip with his motor-scooter. It seems only to be a matter of time until he realizes that she's just using him to follow her boyfriend - or will the shy Robby manage to win her heart on their chaotic journey?
Young Tina has a big dream, she wants to become a successful pop singer. That's why she tries her luck in the music show 'Formel Eins'. There she meets all kinds of stars like Falco, Meat Loaf, Die Toten Hosen and Pia Zadora and of course the presenter Ingolf Lück. The result is a colorful mix-up and the question arises as to whether Tina can make her dream come true.