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Casualty - (May 18th)
Lost Treasures of Egypt - (May 18th)
The Cheap Seats - (May 18th)
The 11th Hour with Stephanie Ruhle - (May 18th)
100 Days to Indy - (May 18th)
Accomplice to Murder - (May 18th)
Crime Beat - (May 18th)
Cesar Millan- Better Human, Better Dog - (May 18th)
The Never Ever Mets - (May 18th)
20/20 - (May 18th)
Gutfeld! - (May 18th)
Hannity - (May 18th)
The Five - (May 18th)
The Ingraham Angle - (May 18th)
Whos Talking to Chris Wallace? - (May 18th)
WWE NXT- Level Up - (May 18th)
Blue Bloods - (May 18th)
Fire Country - (May 18th)
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On Patrol- Live - (May 18th)
Movies that provide us with an inside look at the lives of communities different from our own can show us just how much alike – and not alike – the constituencies of those cultures truly are from our own. It’s especially intriguing when such films cross species lines, examining societies of beings different from ourselves, an undertaking tackled in the latest project from the acting-writing-directing duo of David and Nathan Zellner. Known for such offbeat releases as “The Art of Self-Defense” (2019) and “Kumiko, The Treasure Hunter” (2014), this time out the filmmaking siblings present a documentary-style look at a year in the lives of a bigfoot family of four inhabiting the forests of Northern California. The camera follows them through a variety of everyday situations not unlike what we as humans go through, only in a totally different milieu. The film features an array of comedic and dramatic circumstances to which we can all undoubtedly relate, often on a very “earthy,” unrestrained level, involving activities in which we all engage but rarely talk about. Told in four acts, this release beautifully captures their experience of life in the woods, with exquisite visuals of Northwestern landscapes and diverse forest wildlife, along with curious, entirely natural expressions of individuals discovering the myriad elements of a world that they have come to believe is their own. But is it? As they come upon scenarios that are anomalous from what they have typically known, they must learn to adapt when evidence emerges that their world could be drastically changing – even vanishing – before their very eyes. In that sense, then, the film quietly delivers a strong environmental message (aptly timed for an Earth Day release) that we should heed in light of the unsettling experience of this picture’s unique protagonists. While the film’s sequences at times become somewhat repetitive and feature more than their share of undoubtedly base humor, this offering is nevertheless entertaining, clever and thought-provoking, enhanced by its stunning cinematography, emotive original score, and stellar makeup and prosthetics. Despite these assets, however, some have dismissively and capriciously compared this production to an extended Saturday Night Live sketch or a parody of the opening sequence of Stanley Kubrick’s “2001: A Space Odyssey” (1968). But those analogies unfairly sell this one short as a vehicle that will simultaneously make viewers both laugh and think. With an economical 1:28:00 runtime and a fine cast of actors portraying the quartet of uncannily prescient primates (Jesse Eisenberg, Riley Keough, Nathan Zellner, Christophe Zajac-Denek), “Sasquatch Sunset” makes an intriguing watch, provided that viewers give it a fair shake. Indeed, if we’re ever to reach a new level of understanding about those who are different from us and with whom we share this world, not to mention the impact we have on one another, we should make an effort to grasp what this offering is trying to tell us – while we still have the time to do so for both of us.
A sexy, romantic comedy about modern couples coming together in funny and unexpected ways. Paul and Hannah discover that even after 40 years of marriage, they can still learn some very surprising things about each other. Meredith is a serious theatre director who isn't looking for a relationship... but has one looking for her in the person of the funny, persistent Trent. Then there's Joan and Keenan, young people searching for love in an L.A. club scene where the rules of dating seem to change every night.
Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
An actress confronts her quarter-life crisis by breaking up with New York City and returning home to win back the love of her life.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
A brother and sister embark on a journey to retrieve an inheritance from their grandmother in the wake of economic collapse and impending apocalypse.
A man named Farmer sets out to rescue his kidnapped wife and avenge the death of his son – two acts committed by the Krugs, a race of animal-warriors who are controlled by the evil Gallian.
Is a party after a canceled wedding a recipe for disaster? It is. And what a disaster it is! Two families differ in everything - origin, status, wallet content, taste. The parents of the groom and bride are initially shocked. What did such a thing happen? Who was at fault? What about the wedding party? Should they welcome the guests? Play music? Pour the vodka? Who will cut the cake? From word to word, polite smiles turn into public washing of dirt. And finally a real bomb goes off... And in the meantime, the wedding party turns into a wild party. And no one is bothered by the absence of the newlyweds.
First of the Jones family movies with kids who ignore father and get consolation from mother through a series of family episodes.
Jones family romp with father trying to convince son to follow him as a druggist, rather than becoming a pilot, until the son's piloting skills come in handy.