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Cute and funny. It is difficult to say anything new from this movie or Charles Chaplin. He just delivers a complete story with a lot of different elements. Remarkable is also the performance of Jackie Coogan.
If you enjoy this review, please check out my blog, Old Hat Cinema, at https://oldhatcinema.medium.com/ for more reviews and other cool content. Two Little Tramps The most amazing thing about Charlie Chaplin’s The Kid is that it was released in January of 1921. That makes this film 100 years old! A century has gone by since it was made, released, and first viewed, and yet it’s still available to be appreciated anew today. The DVD print that I watched was in very good shape, the picture was great, and I felt that I was watching an important piece of cinema history. However, The Kid is by no means one of my favorite Chaplin films. In fact, two out of my top three aren’t even silent films, but prime examples of Chaplin’s later work: Monsieur Verdoux (1947) and Limelight (1952). And my third favorite, the 1936 masterpiece Modern Times, is only two-thirds silent! The plot of the film is quite simple: our beloved Little Tramp finds another little tramp, and and raises the foundling as his own. Years pass, and together, they rise above their life of poverty through the power of love and comedy. “Professionally funny” is a phrase that I thought a fitting description of Chaplin. He was an artistic genius, and he knew what he was doing and how to engage an audience. In fact, this was his first feature-length film, and he took a whopping five-and-a-half months to shoot it, which was an incredible amount of time for a film production in 1921. Chaplin, of course, not only starred, but wrote, directed, produced, and scored the film! Jackie Coogan was fantastic as “the Kid”, displaying a wide range of emotion and deftly tugging at the viewer’s heartstrings. His father, Jack Coogan, Sr., coached his son during filming and was paid $125 a week by Chaplin, and also played several small parts within the movie. Chaplin and Coogan in The Kid (1921) It is said that Chaplin and Coogan were as close off-screen as on, and every Sunday during the first few weeks of filming, Chaplin would take the boy to the amusement park or other fun activities. This relationship was seen as either an attempt on Chaplin’s part to reclaim his own unhappy childhood, or possibly he was just thinking about his own son whom he had lost, having died three days after birth. The Kid features a truly bizarre dream sequence in which the Tramp falls asleep on his doorstep and dreams of everyone — including himself — as an angel or demon. He envisions himself as an angel, with white, feathery wings spread out behind him, and a harp in his hand. Others, including a neighborhood bully, appear as demons, depicted traditionally in dark (presumably red) attire and horns atop their heads. Even a little dog, suspended on wires, comes floating by in a little angel costume! It’s one of the strangest and most inexplicable dream sequences I’ve seen in a film, and yet it is oddly captivating. The technical aspects in this film — both in the dream sequence and in the rest of the movie — are marvelous when one considers that it was made a hundred years ago, when the movie medium itself was less than thirty years old. Whether or not it is one of Chaplin’s greatest works is up to the individual viewer, but you cannot deny that it is a landmark movie, and holds an important place in the history of American cinema. It deserves a look, maybe even more than one. As the opening title card reads, it’s “a picture with a smile — and perhaps, a tear.”
Two couple of friends, one very rich, the other almost homeless, decide to go on Holiday. Julie, a single mother, joins them too. Once at seaside, it starts a complicate love cross among them that will involve also a transsexual, a jealous brother, a Latin Lover and another nervous stressed couple. Not to mention about the daughter of one of them that is secretly in Chicago with one of her father's employees... At the end of the summer, all of them will join the same party...
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Awkward teenager Charlie Bartlett has trouble fitting in at a new high school. Charlie needs some friends fast, and decides that the best way to find them is to appoint himself the resident psychiatrist. He becomes one of the most popular guys in school by doling out advice and, occasionally, medication, to the student body.
A group of covert CIA operatives trailing a potential new energy source are double-crossed by corrupt agent Morgan, who causes a helicopter crash in remote South Africa. The sole survivor, suffering severe amnesia, is nursed to recovery by a kindly native tribe who call him "Whoami" after the question he keeps asking. With the help of a mysterious reporter Christine, Whoami pieces together his past and tracks the turncoat agent and his criminal cohorts.
The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.
Along with his new friends, a teenager who was arrested by the US Secret Service and banned from using a computer for writing a computer virus discovers a plot by a nefarious hacker, but they must use their computer skills to find the evidence while being pursued by the Secret Service and the evil computer genius behind the virus.
Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.
Damiel is now married to Marion, runs the pizzeria “Da Angelo” and the two have a child. The solitarily remaining angel Cassiel is more and more dissatisfied with his destiny as a mere observer of human life and finally decides to take the great leap. As Karl Engel he soon gets into a dubious milieu and finds himself as the assistant of the German American Baker, who makes his money with shady arms deals and sends films east in exchange for weapons. Cassiel’s adventure turns into a “thriller” when he decides to put a stop to Baker’s game.
Richie and Eddie are in charge of the worst hotel in the UK, Guest House Paradiso, neighbouring a nuclear power plant. The illegal immigrant chef has fled and all the guests have gone. But when a famous Italian filmstar, Gina Carbonara, who is in hiding from a fiance she doesn't want to marry, arrives at the hotel, things get very interesting!
A family of Irish immigrants adjusts to life on the mean streets of Hell's Kitchen while also grieving the death of a child.
Alex, Marty, and other zoo animals find a way to escape from Madagascar when the penguins reassemble a wrecked airplane. The precariously repaired craft stays airborne just long enough to make it to the African continent. There the New Yorkers encounter members of their own species for the first time. Africa proves to be a wild place, but Alex and company wonder if it is better than their Central Park home.